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ARTISTIC BIOGRAPHY Fausto Adolfo MartRodrguez Naciel November 3, 1957 in Havana.
Registered as a professional artist by the International Archive of Works of Art Central, AICOA. Plastic formation in the plastic formation of different factors Martintervienen therefore not entirely accurate to speak of self-learning without fear of being unfair to personalities and places that should influence b Music in its formation as a painter. Adolfo Fausto Martcomienza his career in the world of plastic about 20 years ago in Spain, country where resididurante 9 years (1991-2000) and where he worked for some time company of European artists living in the place and who owes most of its formacinbsica as a painter. Its plastic formation and technicians in the various tools, procedures and materials that comprise the field of painting and graphic image development in particular may be said to be strict and give a professional level jobs to move within the marked tendency figuraciny neo-impressionist themed ms appellant addressed as the urban landscape and abstraction. His deep study of drawing and color, Ascom of pictorial techniques and materials are easily visible in their work. In its plastic formation has a decisive influence s academic support teachers and technicians of Cuban plastic which has been linked personally and he has been joined by family and friendship relations . Adolfo Faust Martcuenta with an extensive collection of more than 500 oil paintings on canvas scattered in private collections abroad, mainly in Europe and North America. Ascom with several murals. Personal and collective exhibitions and other actions of promotion. For 3 years, explains his work week in the Community Project sponsored by the UNEAC (Union of Writers and Artists of Cuba) Picture 3 Festival of the Arts. in the Paseo del Prado, led by Cecilio Avilsy which is a permanent member and member of the Commission of Curadura of the Project. Asphalt signals in Personal exhibition at Hotel Hill in November of the year 2003. Contcon the assistance of the Master of the Cuban plastic, López Oliva, and Juan Vzquez Martn, as well as with the assistance of Representative of Cuba to UNESCO Cury other Ral Roa prominent figures in the national culture. Pblico Workshop, Galley Carmen Montilla. Plaza Vieja in front of the Convento San Francisco de Ass. May 2006. Cecilio Contcon Avils assistance from other Cuban plastic artists. . Interview and shows some pictures in the style program with Rosales Arna Tele Rebelde November 2003. Collective exhibition in the Hospital Hermanos Almejeiras. May 2006. More collective exhibition in the Galera alldel Time Frida Kahlo, Casa de la Cultura in downtown Havana. July 2008. Combat Competition Finalists exhibition, Her-Car Art Galley August 2009. Exhibition of Painting Contest Mention Countering the Huron Museum, Blue House. August 2009. Collective exhibition at the National Museum of the CDR September of the year 2009. Collective exhibition at the National Museum of the CDR in February of the year 2010. Collective exhibition of the XIX Symposium of Culture in the Simon Bolivar House. Provincial Directorate of Culture Havana. Exhibition at the residence of U.S. Ambassador in Havana November 10, 2009. Seales exhibition on Asphalt II November 8, 2010 in Guayaquil, Ecuador. Critic analysis of the Work of Fausto Adolfo Mart. Although the work of self-formation Adolfo Fausto Martn a polished and surprisingly, may be said, sometimes masterful drawing skills and color. His pictorial technique, refined and virtuous, we recalls the rigors of the academy if not endorse. Strongly influenced by the work the nineteenth-century French Impressionists, takes in his paintings the influence of the graphic sign of the first half of the twentieth century, and Pop with their high contrast, the search for the rigor ascom t technician at work in the colors and combinations thereof, without forgetting the ways of his sometimes figuracin dramtica for free and safe use of brushes and spatula. In the paintings of Fausto Adolfo Mart, high contrast and light values give insight into the landscape of a deep and lively city, laberntica and diverse. It is undoubtedly a very risky and daring act that denotes a self-assurance and maturity conceptual aesthetic to which his work has come Marten emphasize the fact reflected in his canvases the urban landscape so mistreated by mediocrity and lack of talent that has been imposed on the sub-cultural world created by the market tourist in the country. Even so, it assumes that the topics are not given away and insists that the city does not deserve such neglect. In his pictorial evolution Fausto Adolfo Martn shows a personal touch beyond doubt, given by a virtuoso brushwork and masterful use of the spatula, with fillings and textures to achieve a highly effective and pictorial beauty. Its sleek design within the proposed chromatic their fabrics gives a stamp to his work easily recognizable and unique pieces makes for easy identification. The materials used in the elaboration of his works are traditional and of unquestionable quality, so be careful and warned preservaciny worsen the durability of his work. In the realization of it is based mainly on the flat brush, spatula and sponges. In the distance Martn& 39;s work is remembered for his virtuosity, precision and ultra-realistic work, almost photographic, however, is only as we approach his canvas, we notice that level of spontaneity and apparent neglect has achieved this remarkable effect. Fausto current work Marttransita the roads of chromatic and formal experimentation. With the utilization of a simple harmonic range, is based on analogous colors that are among the browns and shadows, making visual effects for real elegance and balance. Your figuracin between two stools (the hyper-modern conceptualism opposed to the preponderance of our time and impressionism and refined analta ms) speaks of an artist and a work that still holds many surprises. WALDO LOPEZ GONZLEZ critic Art.
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